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Written by Lindsey Eastman
Comparing sixteenth century corset patterns to determine the advantages and disadvantages of each one on the body.
Written by Sarah Lorraine
Theories and new ideas on how French Hoods were likely constructed 1530-60, and their evolution afterwards.
Written by Izabela Pitcher
There are many Tudor dresses of 1530 and later on the re-enactors' circuit, but few earlier ones. Let's go back to 1510 and do something different!
Written by Bess Chilver
Making the entire ensemble for a young Tudor gentry girl (all techniques and patterning can be applied to adult gowns.)
Making a new outfit for a young Tudor lady.
Part 2: foresleeves, forepart, kirtle layers, and revisiting the smock.
Mistress Etty’s smock, kirtle bodice, forepart and foresleeves are complete. This month: completion of the kirtle, gown bodice and turnback sleeves.
In this final part of the series, we will complete the skirt to the gown and the hood and see Mistress Etty in her completed gown at Kentwell.
Written by Melissa Barton
Accessories take an outfit from costume to clothing. A range of beautiful and authentic jewelry can be made using basic techniques.
Five simple techniques can make a wide range of jewelry to provide the finishing touch to your Tudor or Renaissance outfit.
Written by Alison Kannon
Monochromatic Embroidery is an umbrella term used to describe a type of embellishment popular during the 16th Century.
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