Nikki concludes her Swiss waist study by constructing a final garment from an original 1860 pattern using accurate methods.
Now that we've studied many original Swiss Waists, here's how to draft and construct as close to the original style as possible.
The lobster tail bustle is a classic for a reason. Here, Christina shows us how to put some junk in that trunk (includes free pattern).
Studying the construction of an original Worth bodice so that we can discover and recreate the magic of Worth in our own work.
What's not to love about a bustle gown? Christina puts aside the lobster tail, makes some different bustles and compares the effects.
Dolman mantles were exceedingly popular late Victorian outerwear. Chantal shows us how to recreate this type of sleeved 19th century cloak.
What's more mysterious and dramatic than a veil? Bess outlines the veil's role as a fashion accessory and finishing touch to any Victorian ensemble.
My passion for Ostrich plumes started when I saw the opening credits of the 1997 movie Wings of the Dove.
Where do such plumes come from?
How do milliners fabricate them and can I create such confections?
These are all questions I asked myself then, and they led me on a course of study and experimentation. In this article I will share some of what I have learned along the way.
or My hat looks like it has a dead fish on top because the bow just lies there! How can I fix that?
One of the most often used decorative elements on late Victorian and Edwardian hats were bows and ribbon loops.
To a non-milliner, trying to recreate some of these fantastic hats may seem a daunting task. Here are some tricks that simplify things.
This month Lynn shows us how to add large areas of silk flowers or ribbon decorations to a hat, without using glue and without sewing each one on individually.
Why would you want to add decorations to a hat in this way?
There are several reasons, but the most important would be to save the base hat from being damaged, either because it is vintage or because you might want to redress it in the future and anything you do now will have to be undone.
Have you ever walked into a large craft or fabric store to purchase the things you need to decorate that fantastic hat you're making, and been totally overwhelmed by the possibilities?
Should your hat be simple and elegant, or should it be a liberally decorated, multi-coloured feast of delights?
Professional period milliner Lynn McMasters shares her secrets with us in this new series on millinery design.
Constance concludes her exploration of the Victorian cage crinoline with the recreation of a large covered crinoline from 1868.
Constance MacKenzie continues exploring the crinoline's development, making a light & collapsible Victorian cage crinoline.
Tucks were a favorite decoration from the 1820s to Teens: here's how to create a mid-19th c.-style tucked petticoat, start to finish.
To ensure your Victorian dress is always smooth and perfect, you really need a petticoat. Here's the fastest way to rustle one up.
We're not the only ones who curse over our sewing. In the early 1870s, Celestia Freeman made herself a dress - and she struggled too!