The ten year wait for Janet Arnold's last work is over: Patterns of Fashion 4 is to be published on November 7th, and this month YWU is celebrating its release!
This extraordinary treasure trove, the final book in the series, has been completed with additional material by Jenny Tiramani and Santina M. Levey after Janet's passing in 1998. We've been smiling very sweetly at the publisher, and our grovelling has paid off with an advance copy. So Marion's ready to give you her exclusive review!
...to Elsabet Rowth one kyrtyll of worsted upper bodyed with blew satyn of bryderies...
The British History Online site is a wonderful source of first hand information about the clothing and material objects of daily life in Tudor England.
Come explore the riches with us!
In part two of pattern drafting, we move from measurements to creating a basic front and back block, a mockup, fitting and creating a final pattern, with seven step-by-step videos.
Before you can draft your own, personalized pattern, you have to take measurements. Marion walks you through this easy process in a few short video tutorials.
Transform humble string into braids, cords, ties and fastenings for your historic costumes with Gina's guide to custom laces which add strength and color.
Details on where to get quality materials to re-create all kinds of extant ruffs, collars, smocks, shifts and chemises.
From camisas to cintolas - Aylwen gives us an overview of Renaissance Italian men's fashion in the 15th century.
Discussing the cut of a late medieval kirtle and a very popular V neck gown, often simply referred to as the Burgundian gown.
In this extensive beginner's guide, we'll look at lucet cording, fancy braiding and inkle and tablet weaving.
This versatile technique is seen from very early medieval period right through to the twentieth century and on all kinds of linen items.
Building on her investigations into the evolution of women’s clothing in the sixteenth century, Julia now looks at the male wardrobe in the Tudor and Elizabethan periods.
Fashion is a significant area of cultural borrowing. Sarah Lorraine examines the 16th century Venetian appropriation of Turkish dress.
Extant C16th garments are rare, but some tailoring books survive still. Marion explores the German and Austrian tailor's masterbook and the master tailor's exam.
While Spain had knitted sleeves in silk and wool, it seems England had wool sleeves alone. Sarah presents the evidence in preparation for making your own.
Knitted sleeves are one of the less explored items of 16th century knitted clothing, but Sarah will show us how to roll up our sleeves and get started on scoggers.
The more things change, the more they stay the same. Julia investigates the evolution of 16th century women's clothing, and the ramifications for Tudor costumers.
There’s more to the Low Countries than the familiar C16th Flemish 'peasant dress'. Holly explores the variations between different classes, trades and regions.
Once you've made a ruff, it just needs starching and setting. Constance shows us how to finish off this most iconic of garments to compliment your Tudor costumes.
Spanish Renaissance style can be tough to identify. Kate continues her field guide to Hispano-Flemish style by looking at men's fashions in 15th and 16th century Spain.
Few garments are as instantly recognizable as the 16th century ruff. Constance shows us how to make the perfect finishing touch to your Elizabethan costume.