The chaperon was a popular men's hat in mid-15th century Europe. Constance introduces her interpretation of this iconic medieval style of headwear.
Linen caps and coifs are a common element in women's, and men's, wardrobes in the 16th century. Trystan shows us how to make a wired, Elizabethan version.
Frances' Tudor hoods and hair are her crowning glory. Julia shows us how she created the classic Marian style hood and frontispiece of the mid-16th century.
There are many Tudor dresses of 1530 and later on the re-enactors' circuit, but few earlier ones. Let's go back to 1510 and do something different!
In this final part of the series, we will complete the skirt to the gown and the hood and see Mistress Etty in her completed gown at Kentwell.
Theories and new ideas on how French Hoods were likely constructed 1530-60, and their evolution afterwards.
Making 18th century hats out of modern placemats? What about the crown? Here's how to add a soft silk crown, and a buckram option too.
The bergere hat looks terrific on everyone. Chantal walks us through making a perfectly lovely one from a placemat, of all things!
The calash bonnet is one of the most intriguing 18th century accessories. Serena makes a historically accurate example.
During the Regency many women wore hats designed after early C19th military styles. Here's how to make the distinctive pompoms.
The bonnet is the iconic accessory of the early nineteenth century: Serena shares how to construct a Close Bonnet of c.1810.
Reproduce authentic looking turban headdresses - as well as the beautiful ornamental pins that were used to secure and decorate them.
My passion for Ostrich plumes started when I saw the opening credits of the 1997 movie Wings of the Dove.
Where do such plumes come from?
How do milliners fabricate them and can I create such confections?
These are all questions I asked myself then, and they led me on a course of study and experimentation. In this article I will share some of what I have learned along the way.
or My hat looks like it has a dead fish on top because the bow just lies there! How can I fix that?
One of the most often used decorative elements on late Victorian and Edwardian hats were bows and ribbon loops.
To a non-milliner, trying to recreate some of these fantastic hats may seem a daunting task. Here are some tricks that simplify things.
This month Lynn shows us how to add large areas of silk flowers or ribbon decorations to a hat, without using glue and without sewing each one on individually.
Why would you want to add decorations to a hat in this way?
There are several reasons, but the most important would be to save the base hat from being damaged, either because it is vintage or because you might want to redress it in the future and anything you do now will have to be undone.
Have you ever walked into a large craft or fabric store to purchase the things you need to decorate that fantastic hat you're making, and been totally overwhelmed by the possibilities?
Should your hat be simple and elegant, or should it be a liberally decorated, multi-coloured feast of delights?
Professional period milliner Lynn McMasters shares her secrets with us in this new series on millinery design.
The Victorian tall hat ruled the fashion pages in the 1880s. Chantal teaches us how 19th century ladies made, trimmed and wore this striking style.