There's life in that old dress yet. Julia shows how she remade an old early C16th gown into a new Elizabethan one for her daughter.
Having explored the Elizabethan Royal Wardrobe, and met Walter Fysche's wife, we now look into how and why she might have dressed.
Walter Fyshe was tailor to the Tudor Queen Elizabeth I. Julia looks into his life and work in the C16th via an exploration of the Queen's Wardrobe.
Building on her investigations into the evolution of women’s clothing in the sixteenth century, Julia now looks at the male wardrobe in the Tudor and Elizabethan periods.
We've seen the Tudor wardrobe of Frances Brandon, Duchess of Suffolk, take shape and now we join her in the bedchamber as she dresses in the finished clothes.
Linen caps and coifs are a common element in women's, and men's, wardrobes in the 16th century. Trystan shows us how to make a wired, Elizabethan version.
Knitted sleeves are one of the less explored items of 16th century knitted clothing, but Sarah will show us how to roll up our sleeves and get started on scoggers.
Frances' Tudor hoods and hair are her crowning glory. Julia shows us how she created the classic Marian style hood and frontispiece of the mid-16th century.
Do you really need a corset with that 16th century gown? Maybe not. Kimiko explains why... and explores kirtles, bents and bodies to create the perfect silhouette.
The more things change, the more they stay the same. Julia investigates the evolution of 16th century women's clothing, and the ramifications for Tudor costumers.
There’s more to the Low Countries than the familiar C16th Flemish 'peasant dress'. Holly explores the variations between different classes, trades and regions.
We return to the Tudor wardrobe of Frances Brandon, Duchess of Suffolk, this week to look at her outer layers – the iconic French gown and typically Marian partlet.
A C16th lady of Frances' status must be properly turned out. Julia continues to investigate her Tudor noblewoman's wardrobe with Frances' kirtle and foresleeves.
Previously we explored Frances’ body linens as we began to piece together her Tudor noblewoman's wardrobe. This month we investigate more of her undies...
Julia continues her discovery of Frances Brandon, Duchess of Suffolk and her mid-16th century wardrobe, and walks us through the creation of her linens, smocks and underwear.
Dressing a woman involves more than just recreating portraits. One has to know the person underneath - in this case, Frances Brandon, Duchess of Suffolk.
Monochromatic Embroidery is an umbrella term used to describe a type of embellishment popular during the 16th Century.
There are many Tudor dresses of 1530 and later on the re-enactors' circuit, but few earlier ones. Let's go back to 1510 and do something different!
In this final part of the series, we will complete the skirt to the gown and the hood and see Mistress Etty in her completed gown at Kentwell.
Mistress Etty’s smock, kirtle bodice, forepart and foresleeves are complete. This month: completion of the kirtle, gown bodice and turnback sleeves.