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Costuming Reenactors by Suzi Clarke PDF Print

costume_icon.jpg Costuming nonprofessional actors or dancers, or a person doing living history, is a very different situation to working in a professional environment such as theatre or film. For a start, in most circumstances, the customer is paying, and choosing what to wear, whereas in professional work for the media there is a budget, to which you have to work, and usually a designer and a director to make the design decisions.

With amateurs, and by amateurs I mean those who mostly do not make a living wearing costume, you are the designer, the director and the maker all rolled into one.

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Research for the Historical Costumer, Part 3: Tips, Techniques, and Resources: Secondary Sources PDF Print
Books

In part three of her four part series, Kendra van Cleave shows us some tips and techniques to find good information on the Internet. This month, she adds books, journals and conferences to our arsenal of resources, recommending the most useful ones, showing us how best to use them, and telling us what to look out for.

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Contracts for Seamstresses by Cathy Hay PDF Print
Image

If you run your own business as a bespoke costume maker, seamstress, bridal designer or tailor, you'll know how fragile a process this business involves. People are not used to buying a product they can't yet see for a price that isn't fixed, and they tend to be nervous about it. Will they be ripped off? Will the result be what they wanted, and what if it isn't?

From your side of the equation, there are worries too. How do I know that this person will only make reasonable requests? How do I know they'll pay? How do I know that they won't ruin and try to return what I've made them?

The answer to all of these concerns is to have a good contract. (And it works especially well if you're not in business, but making something for a friend or family member.)

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Costuming from a Distance by Suzi Clarke PDF Print

Costuming Strangers Costuming people you have never met can be a very frustrating project. Usually these are customers from abroad who want something very specific, such as a copy of something that is on your web site, or wedding clothes. However, with experience in this type of work and some forward planning, many of the biggest pitfalls can be avoided.

Suzi takes you through what she's learned over the years and shares her secrets to sucess!

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Research for the Historical Costumer, Part 2: Libraries & Online Research PDF Print
Books

It's All Online - Right?

Wrong, wrong, wrong. One of the biggest myths of our current era is that, "Everything is available online."

There is indeed a great deal of research you can do online. But if only rely on online sources, and particularly if you only rely on the websites created by other costumers, you are looking at a fraction of the information commonly and easily available to you.

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18th Century Wig Styling by Loren Dearborn PDF Print
Betty Myers' wigs

I've always dreamed of having one of those towering 18th century wigs so when I saw that Burnley and Trowbridge in Williamsburg, Virginia was hosting an 18th Century Wigs and Make-Up workshop I jumped at the chance to go. Betty Myers, Wigmaker of Williamsburg, gave a great overview of 18th Century wigs and showed me that I too could make a beautiful 18th century wig - and if I can do it, so can you!

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