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If you're anything like me, you'll be familiar with the experience of sitting in an office wishing you were sewing instead. In fact, wouldn't it be great to sew for a living? Be your own boss?
With twelve years in the business of playing with fabric for money, and
having done so in an alarming variety of contexts, I can point out a
few of the pitfalls peculiar to dressmaking businesses and offer you a
few tips on how to make it work, too.
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Knickers. Bloomers, if you will. Drawers; underthings; unmentionables; nether garments. When you get into them (pun intended), our most ignominious items of clothing actually have a rich and fascinating history. Over the course of history, those parts of a woman's outfit that few men saw and most men wanted to have steadily transformed themselves from nothing at all to a remarkably complex class of garments.
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This month, Alice continues to wrestle with her wardrobe and finds some unlikely tools of the trade...
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Here’s
the setting: you’re sitting watching a great film or attending a wonderful
play with incredible costumes, and a new character enters the scene.The moment you see them, before they open their mouth and utter a syllable,
you know exactly who they are. Why?
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So you want to make historical clothing but you aren’t sure what type of fabric to use? Hopefully I can shed some light on the subject and help steer you toward more historically accurate fabrics and a more authentic look. First let’s discuss the four basic natural fibers used in clothing up to the 20th century: Wool, Silk, Linen, and Cotton.
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When all our experts were asked the questions that led to the first Masterclass, Sarah Lorraine didn't respond immediately. She gave a lot of thought to what led to her unseen graduation from home-made to professional quality work, and this article is the in-depth result of her musings.
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